英语翻译7、Reasons for such attitudes are easy to find.Those 19th century cautionary stories,designed to frighten the young into good behaviour by feeding them visions of the awful consequences of youthful disobedience,find no defenders now and

英语翻译7、Reasons for such attitudes are easy to find.Those 19th century cautionary stories,designed to frighten the young into good behaviour by feeding them visions of the awful consequences of youthful disobedience,find no defenders now and
英语翻译
7、Reasons for such attitudes are easy to find.Those 19th century cautionary stories,designed to frighten the young into good behaviour by feeding them visions of the awful consequences of youthful disobedience,find no defenders now and have not done so for some time past.
Former evangelical gloom has long been replaced in children’s literature by a general mood of secular optimism.Backed up by the growth of 20th century developmental psychology,
childhood as described in contemporary child-rearing manuals is now seen as ideally an entirely positive time for all concerned,other things being equal.When something goes seriously wrong in a child’s life,this is generally explained in terms of his or her parents,school or neighborhood being at fault.Popular experts in this field still tend to insist that such
children always have the capacity eventually to struggle back to an even keel,if only they aregiven the chance and the right support.In children’s literature too,it is unusual to feature troubled young heroes or heroines who do not finally overcome at least some of their problems by the end of a novel.
8、Underpinning such optimism is a long-lasting belief in a general ‘get up and go’ philosophy,typical of a confident British protestant culture and its abiding belief in the virtues as well as the efficacy of self-help.In this scenario,eventual happiness following a life of hard work and sound morals always remains a strong possibility.While fairy stories told in the rest
of Europe tend to get gloomier and more fatalistic the further North or East they are located,British fairy tales,according to the great folklorist Katharine Briggs (1967),have always been marked by an atmosphere of positiveness.Never over-moralistic,they typically concentrate on
qualities like kindliness,courtesy and openness.While Grimms’ tales contain references to times of starvation and even cannibalism,both of which were known as realities in mid-Europe during the Thirty Years War,British folk stories although mentioning poverty and hardship
usually stop short at images of social catastrophe.This gentler view of life is of course easier to get away with in a country last invaded in 1066 and with no knowledge of internecine warfare at least on its mainland since 1745.

英语翻译7、Reasons for such attitudes are easy to find.Those 19th century cautionary stories,designed to frighten the young into good behaviour by feeding them visions of the awful consequences of youthful disobedience,find no defenders now and
这种态度的理由很容易找到.这些19世纪的警示故事,目的是吓唬年轻到良好行为的喂养他们的理想的可怕后果青春不服从,没有发现维护者现在还没有这样做了一段时间过去.
前福音阴霾早已取代儿童文学的一般世俗的乐观情绪.后盾的增长,20世纪发展心理学,
童年所述当代育儿手册,现在被视为理想的一种完全积极的时间对有关各方来说,其他条件都相同的.什么东西不用严重错误,一个孩子的生命,这是一般解释他或她的父母,学校或街道被错.热门专家在这一领域仍然倾向于坚持认为,这种
孩子总是有能力最终斗争回到平稳,只要他们aregiven的机会和权利的支持.在儿童文学太多,它是非常罕见的功能困扰年轻英雄或英雄谁不终于克服至少有一些自己的问题在年底小说.
8 ,支撑这种乐观情绪是一项长期持久的信念,一般'起床去'的哲学,典型的英国新教的文化自信和坚定不移的信念,它的优点,以及功效自助.在这种情况下,最终的幸福生活后,勤奋工作和良好的道德始终保持一个强有力的可能性.虽然童话故事中的其余
欧洲容易和更加悲观宿命论进一步北或东,他们的位置,英国童话,根据伟大的民俗学者凯瑟琳布里格斯（ 1967年） ,一直特点的气氛中进行的积极性.从来没有过说教,他们通常集中在
质量,比如和蔼,礼貌和开放性.虽然格林的故事提到倍饥饿,甚至吃人,这两个被称为现实中旬在欧洲三十年战争,英国民间故事虽然提的贫穷和困苦
通常停止短期在图像的社会灾难.这温和的人生观,当然更容易得逞的最后一个国家在1066年入侵和没有知识的自相残杀的战争,至少在内地自1745年
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Reasons for such attitudes are easy to find. Those 19th century cautionary stories, designed to frighten the young into good behaviour by feeding them visions of the awful consequences of youthful dis...

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Reasons for such attitudes are easy to find. Those 19th century cautionary stories, designed to frighten the young into good behaviour by feeding them visions of the awful consequences of youthful disobedience, find no defenders now and have not done so for some time past.
这种态度的理由是很容易找到的。通过向青年人灌输不遵纪守法的严重后果，19世纪的那些警世故事，设计者目的是要警醒青年人好好表现，而现在没有发现它的捍卫者了，并且已经有些时日没实行了。
Former evangelical gloom has long been replaced in children’s literature by a general mood of secular optimism. Backed up by the growth of 20th century developmental psychology,
childhood as described in contemporary child-rearing manuals is now seen as ideally an entirely positive time for all concerned, other things being equal. When something goes seriously wrong in a child’s life, this is generally explained in terms of his or her parents, school or neighborhood being at fault. Popular experts in this field still tend to insist that such
children always have the capacity eventually to struggle back to an even keel, if only they are given the chance and the right support. In children’s literature too, it is unusual to feature troubled young heroes or heroines who do not finally overcome at least some of their problems by the end of a novel.
以前教会的那些陈词滥调在儿童文学作品中已经让现在的普遍乐观精神所取代。20世纪成长起来的发展心理学作后盾，在其他各点都相同的情况下，在当代那些指导儿童的手册中所描绘的儿童时代被看成是完全理想的乐观的时代。如果某个儿童在生活上犯了严重错误，这就通常解释为他或她父母、学校或邻居的责任。这个领域的一些受欢迎的专家持这样的观点：要是给予机会和正确支持的话，这样的孩子最终是有能力改邪归正的。也同样是在儿童文学中，那些男主人公或女主人公在小说结尾最终没有克服他或她的某些问题，这是罕见的现象。
Underpinning such optimism is a long-lasting belief in a general ‘get up and go’ philosophy, typical of a confident British protestant culture and its abiding belief in the virtues as well as the efficacy of self-help. In this scenario, eventual happiness following a life of hard work and sound morals always remains a strong possibility.
支持这样的乐观主义精神在普遍的热情人生观中是一种长期的信念，这在英国有自信心的新教文化中、新教对美德的持久信念和自助的效力方面表现得尤为典型。基于这种情况，终极幸福是靠一生的艰苦工作，健全的美德仍然是有其很坚强的可能性的。
While fairy stories told in the rest of Europe tend to get gloomier and more fatalistic the further North or East they are located, British fairy tales, according to the great folklorist Katharine Briggs (1967), have always been marked by an atmosphere of positiveness. Never over-moralistic, they typically concentrate on qualities like kindliness, courtesy and openness.
当那些在欧洲其他地方流传的神话故事落户于更远的北欧或东欧，给人们带来的是更加的阴暗和更加的宿命论的时候，英格兰的神话故事，根据伟大的民俗研究家凯瑟琳.布里格斯(1976年)的观点，总是以一种积极向上的氛围作为其特色。从来不是超越道德说教之上，他们总是很典型的把注意力集中在对友善、懂礼和宽厚这些优良品质的描绘之上。
While Grimms’ tales contain references to times of starvation and even cannibalism, both of which were known as realities in mid-Europe during the Thirty Years War, British folk stories although mentioning poverty and hardship usually stop short at images of social catastrophe. This gentler view of life is of course easier to get away with in a country last invaded in 1066 and with no knowledge of internecine warfare at least on its mainland since 1745.
当格林的童话故事内容中涉及饥饿和甚至人吃人的那些年代的时候，这两件事在中欧的30年战争是众所周知的事实，英格兰的民间故事尽管也提及了贫困和艰难，但是只是简短的提及社会灾难的某些现象。这种对人生的更加温和的态度当然更加容易忘记一个国家于1066年遭受侵略的事情，并且对自从1745年以来至少在其大陆上的残酷杀戮的知识也就一无所知了。

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